
Renee Zellweger won a worthy Oscar for ‘Cold Mountain’ yet her latest film seems a little….off. See the panic in her eyes? This is a still from the (new in America, not so new in the UK) horror bomb ‘Case 39′, a film which had a lot going for it until it all went pear-shaped – and those cheap CGI’d wasps on Bradley Cooper sure didn’t help matters.
As I posted only yesterday, it seemed with films like ‘Case 39′ and ‘I Love You, Phillip Morris’, that American studios were testing their bad/questionable films on the UK. Not just here, of course; they’re also plying other parts of Europe with films that tank in their home country.
Now, Steven Zeitchik, writing in The LA Times, is noticing the same things I’m seeing: what’s going on with films that were made yonks ago yet are only turning up now? As he puts it, we are watching films where, “…the stars look younger than [we]… expected.” ‘Case 39′ was made in the autumn of 2006: four years ago. To give an idea how long ago that was, Obama had not announced his candidacy for president and Facebook was new to public use.
Sacre bleu.
Now, Oscar-winner Zellweger’s career is sloping downwards, while Cooper’s is sloping up, looking at another success with ‘The Hangover: 2′.
So, how do films end up being spinsters – on the shelf with no husband? Human nature, which, in Hollywood terms, means money runs out, execs get canned, art directors disagree with directors who disagree with producers and studios, marketing decisions aren’t made or are made badly. It takes a lot of money to make a film, sure, but really, anyone can. It’s getting that film to a paying audience – that’s the tricky part. It takes a lot of money to get films to the multiplexes, money that studios can’t afford as easily as they did. And nobody wants to release direct-to-DVD on purpose.
So, Renee’s profile could be one reason why ‘Case 39′ didn’t get to the States earlier. For sure, Mel Gibson is the reason that the completed comedy ‘The Beaver’, directed by loyal friend Jodie Foster, is sitting on a shelf somewhere. (Mel also just lost a cameo in ‘The Hangover: 2′ – it wasn’t even a real job.)

There are plenty of other examples of this, but how can you, moviegoer, decide whether this has happened to a film you want to see?
Check the film’s info at the IMDb. If it’s over a year old, be wary. Also, be suspicious if it is an American film that is released elsewhere first; ‘Case 39”s global release dates show it was trotted out first in places like NZ. These two clues don’t guarantee a stinker; a film could be a winner that just got unlucky.